I’ll be reading my work online to a live audience next week. On Zoom. I’ve avoided Zoom for more than a year because I honestly don’t like being on video. But it’s there, and I’ve been invited to share my work on this format.
So first of, thank you to OFF THE WALL for inviting me again. I do miss having chance to read before a real live audience, but thanks to COVID-19 we’ve all had to do things differently for a long time now.
If you happen to be up despite the difference in time zones, maybe you can say hi. I’ll try not to be too silly. Hey, if you even know some of my work that you would like me to read, send me a message. Thanks in advance.
It has been a most trying start to my year. As my latest poetry book was being released by my amazing new publisher (SAN ANSELMO PUBLICATIONS! Thank you!!!) – with online videos, print, radio campaign and soon across schools in the Philippines – a personal tragedy befell us here in Cape Town. And so I have to keep quietly apologizing to my newborn paper child, asking it (her/him?) to be a bit more patient.
One door opened (or should I say I looked for it in the dark and found the fine line of light between the gaps?). Then suddenly I have a date to share my new book with an audience.
If you are in Cape Town or have friends here who might be interested, please let them know. My paper child and I will warmly welcome everyone. The venue is a cottage and snacks will be on offer, but guests are encouraged to bring their own drinks. Copies of the new book will be on sale. And I will try not to make you feel like you’ve wasted your evening.
I will be reading from HOW TO MAKE A SALAGUBANG HELICOPTER & OTHER POEMS along with new poems and work by other poets.
I haven’t come up with a list yet of poems to read. I plan to mix old and new, perhaps even some translations. Or I could play with a theme, music or music-related. I might post some of the poems here if I have the time. Otherwise, please hope I don’t bore the audience into trying to drown themselves in the nearest wineglass.
If the audience survives, or even likes my work, they might have a chance to buy the handful of copies of SOUND BEFORE WATER that I plan to bring with me.